Creative & dance journal – By Andrew Wood

Residuals #10 Llight

In January 2025 – a year after starting the Residuals series, I used performance and long exposure photography to record light – its reflection from the surfaces of moving bodies, as a residual – including darkness and shadow too! Here are presented these ‘light graphs’ from the session at Goldsmiths CI at Goldsmiths, University of London on Saturday 18 January.

Residuals #9 Circle in the Hayslip

On 24 September 2024, I returned to Schumacher College, Dartington to harvest the potatoes from the crop trial which I started there in the summer. It was the final week prior to the permanent closure of the college. Afterwards, a circle of charcoal remained in the soil: an archaeological art work.

Residuals #4 – Integrated Research Practice

On Sunday June 2, working with students and volunteers in their community garden at Schumacher College, Dartington, I combined planting potatoes for research into potato yields with the residuals practice of dance making and mark-making. I call this an ‘integrated research practice’ as the residuals practice is a research too.

Residuals #3 – Landscape

On 20 April, the third residuals performance was held outside in the gardens of Dartington Hall, Devon. The four artists including me, had worked together on the second residuals performance but the exterior setting for the third performance brought it into the landscape and closer to nature.

Residuals #1 – tints with paint

I further developed tinting the Residuals #1 charcoal drawings but now using watercolour paints instead of pencil colouring. It produced a temporary installation, research and thoughts of future work.

Residuals #2 – Dartington

On March 17 at the Shippon Artists Studios, Dartington Estate, Devon, there was the second residuals performance – Residuals #2. A co-created charcoal drawing was produced as well as a performance by its four artists – which included me.

Residuals #1: tints

Having photographed the the co-created charcoal drawing Residuals #1, I introduced colour into these images by tinting them.

Residuals #1: artefact

The Residuals #1 performance on 16 January produced many photographs of the charcoal/carbon drawing – both as an artefact/ installation, or as marks on a surface. Here is a gallery of images about Residuals #1 as artefact.

Residuals #1: surface

The Residuals #1 performance on 16 January produced many opportunities for photography, particularly of the charcoal/carbon drawing – both as an artefact/ installation or as marks on a surface. Here is a gallery of images about Residuals #1 surface.

Residuals #1: drawings

Beside the dance and movement making of the Residuals #1 performance, it created a large charcoal drawing about 3 metres by 1.5 metres in size. There were also numerous photographs made by my co-creator John Hazel and me of its surface during and after the performance.